Страховая компания кримсон перманент фильм 1983

From Wikipedia, the free encyclopedia

The Crimson Permanent Assurance is a 1983 British swashbuckling comedy short film that plays as the beginning of the feature-length motion picture Monty Python’s The Meaning of Life.^[2]

Having originally conceived the story as a six-minute animated sequence in Monty Python’s The Meaning of Life,^[3] intended for placement at the end of Part V,^[4] Terry Gilliam convinced the other members of Monty Python to allow him to produce and direct it as a live action piece instead. According to Gilliam, the film’s rhythm, length, and style of cinematography made it a poor fit as a scene in the larger movie, so it was presented as a supplementary short ahead of the film.

It was a common practice in British cinemas to show an unrelated short feature before the main movie, a holdover from the older practice of showing a full-length «B» movie ahead of the main feature. By the mid-1970s the short features were of poorer quality (often Public Information Films), or simply banal travelogues. As a kind of protest, the Pythons had already produced one spoof travelogue narrated by John Cleese, Away from It All, which was shown before Life of Brian in Britain.

The film includes actor Matt Frewer’s debut performance.

Plot[edit]

The elderly British employees of the Permanent Assurance Company, a staid London firm which has recently been taken over by the Very Big Corporation of America (VBCA), rebel against their much younger corporate masters when one of them is sacked. Having locked the surviving supervisors in the safe, and forced their boss to walk a makeshift plank out a window, they commandeer their Edwardian office building, which suddenly weighs anchor, uses its scaffolding and tarpaulins as sails, and is turned into a pirate ship. The stone office building starts to move as if it were a ship. Sailing through the City of London, they then proceed to attack the VBCA’s skyscraper, using, among other things, wooden filing cabinets which have been transformed into carronades and swords fashioned from the blades of a ceiling fan. On ropes, they swing into the board room and engage the executives of VBCA in hand-to-hand combat, vanquishing them.

After their hard-earned victory, the clerks sing a heroic sea shanty as they «sail the wide accountan-sea» in search of further conquests. However, they unceremoniously end up falling off the edge of the world, due to their belief about the shape of the world being «disastrously wrong».

Typical of how the Pythons would weave previously «terminated» plot lines into later scenes in their projects (such «The Spanish Inquisition» in Flying Circus, or the repeated references to swallows in Holy Grail), The Crimson Permanent Assurance suddenly re-emerges in the middle of The Meaning of Life. After the donor scene, the film shifts to a modern boardroom in the VBCA headquarters, where the executives debate about the meaning of life (and whether or not people are wearing enough hats). The debate is halted when one executive asks «Has anyone noticed that building there before?», which turns out to be the office building/pirate ship of the Crimson Permanent Assurance. As the beginning of the battle between the clerks and the VBCA is repeated, the raid is suddenly halted by a falling skyscraper crushing the Permanent Assurance Company building, accompanied by a voice-over apologizing for the «unwarranted attack by the supporting feature».

Cast[edit]

In popular culture[edit]

The Crimson Permanent Assurance plays a prominent role in Charles Stross’s 2013 novel Neptune’s Brood, where the CPA is an interstellar insurance company that sponsors space pirates who double as cargo auditors. The CPA also features in the novel’s twist ending.^[5][6]

References[edit]

External links[edit]

• The Crimson Permanent Assurance at IMDb
• Companies owned by The Very Big Corporation of America

From Wikipedia, the free encyclopedia

(Redirected from Accountancy Shanty)

The Crimson Permanent Assurance is a 1983 British swashbuckling comedy short film that plays as the beginning of the feature-length motion picture Monty Python’s The Meaning of Life.^[2]

Having originally conceived the story as a six-minute animated sequence in Monty Python’s The Meaning of Life,^[3] intended for placement at the end of Part V,^[4] Terry Gilliam convinced the other members of Monty Python to allow him to produce and direct it as a live action piece instead. According to Gilliam, the film’s rhythm, length, and style of cinematography made it a poor fit as a scene in the larger movie, so it was presented as a supplementary short ahead of the film.

It was a common practice in British cinemas to show an unrelated short feature before the main movie, a holdover from the older practice of showing a full-length «B» movie ahead of the main feature. By the mid-1970s the short features were of poorer quality (often Public Information Films), or simply banal travelogues. As a kind of protest, the Pythons had already produced one spoof travelogue narrated by John Cleese, Away from It All, which was shown before Life of Brian in Britain.

The film includes actor Matt Frewer’s debut performance.

Plot[edit]

The elderly British employees of the Permanent Assurance Company, a staid London firm which has recently been taken over by the Very Big Corporation of America (VBCA), rebel against their much younger corporate masters when one of them is sacked. Having locked the surviving supervisors in the safe, and forced their boss to walk a makeshift plank out a window, they commandeer their Edwardian office building, which suddenly weighs anchor, uses its scaffolding and tarpaulins as sails, and is turned into a pirate ship. The stone office building starts to move as if it were a ship. Sailing through the City of London, they then proceed to attack the VBCA’s skyscraper, using, among other things, wooden filing cabinets which have been transformed into carronades and swords fashioned from the blades of a ceiling fan. On ropes, they swing into the board room and engage the executives of VBCA in hand-to-hand combat, vanquishing them.

After their hard-earned victory, the clerks sing a heroic sea shanty as they «sail the wide accountan-sea» in search of further conquests. However, they unceremoniously end up falling off the edge of the world, due to their belief about the shape of the world being «disastrously wrong».

Typical of how the Pythons would weave previously «terminated» plot lines into later scenes in their projects (such «The Spanish Inquisition» in Flying Circus, or the repeated references to swallows in Holy Grail), The Crimson Permanent Assurance suddenly re-emerges in the middle of The Meaning of Life. After the donor scene, the film shifts to a modern boardroom in the VBCA headquarters, where the executives debate about the meaning of life (and whether or not people are wearing enough hats). The debate is halted when one executive asks «Has anyone noticed that building there before?», which turns out to be the office building/pirate ship of the Crimson Permanent Assurance. As the beginning of the battle between the clerks and the VBCA is repeated, the raid is suddenly halted by a falling skyscraper crushing the Permanent Assurance Company building, accompanied by a voice-over apologizing for the «unwarranted attack by the supporting feature».

Cast[edit]

In popular culture[edit]

The Crimson Permanent Assurance plays a prominent role in Charles Stross’s 2013 novel Neptune’s Brood, where the CPA is an interstellar insurance company that sponsors space pirates who double as cargo auditors. The CPA also features in the novel’s twist ending.^[5][6]

References[edit]

External links[edit]

• The Crimson Permanent Assurance at IMDb
• Companies owned by The Very Big Corporation of America

Массивная в своей лаконичности метафора о ведении бизнеса от Терри Гиллиама. Обычный офис. Престарелые клерки страховой компании. Есть ли от них какой-то толк? Смогут ли они «показать зубы»? Смогут. И не только разозлиться, но и прожить остаток жизни в стиле рок-н-ролл. Все дело в том, что руководитель одному из них сказал запретную фразу.

— Ты уволен…

И понеслась. Месть клерков не знает предела. Агрессия переходит в энтузиазм и захваченный офисный особняк становится настоящим кораблем в волнах бизнеса. Благо, теперь за штурвалом есть опытнейшие руководители. Энергия распада переходит в энергию жизни.

***

Лучшей метафоры о вреде офисного труда я еще не встречал. Был правда гениальный фильм «Офисное пространство» Майка Джаджа. И все. На самом деле, все эти «суинни тодды» и «аватары» делаются для скучных офисных работников. Нужно же хоть где-то чувствовать свежесть жизни?! А тут Терри Гиллиам культивирует такие важные ценности — достоинство, самодостаточность и верность своим идеалам. И в такой смешной форме.

В общем, если Вы перед раздумьем как поступить с наемной работой и тревожат сомнения — самое оно смотреть эту лаконичную короткометражку. Гиллиам не удержался и насладился своим стилем, что немного смазало последние минут пять. Но ничего страшного. Фильм классный. Рекомендую

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